Rejection Letter #1

It’s been almost two months since I got my first R.L. from one of the Arts applications I submitted. Admittedly, I’ve been stalling about updating everyone with the results. More interesting, though? My video diary belting out a Barbra Streisand classic and tracking what I’ve been up to since I got the e-mail. Why is Babs being dragged into this? Because there’s nothing like a little drunken (yes, there was alcohol involved in the making of this video) ode to Nikki Arnstein to make me forget how sucky Rejection Letters can be! #PushOnThroughTheStruggle ~ cS, Constance SHERESE

August 20, 2014
Dear Applicant,
Thank you for your interest in the Critic-in-Residence Program. We received a number of outstanding applications and were only able to choose three finalists for this year’s inaugural program. The review committee has considered your request and regrets that we cannot invite you to participate at this time. 
We appreciate the effort you put into submitting your application and we highly encourage you to remain in touch with our organizations in the coming year. 
Sincerely,
Your Latest Motivation
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Coming Through My Headphones: @Joyful_Sings!

I’m counting down to the 4th of July tomorrow … make that in less than an hour. I’m looking forward to some All-American barbecue, fireworks, quality time spent with family and friends,  & a celebration of our freedoms. But I’m also counting down to the iTunes release of @Joyful_Sings first single, “Deepest Fear”!

@Joyful_Sings aka Joy Conaway is one of those independent artists I really like because she has focus and direction in a way that most haven’t quite figured out yet. Joy knows her vocal strengths and she totally plays into them. She’s released about 12 covers and one original song on her Sound Cloud profile and my favorites all have the same tendencies even though they’re across different genres.

Joy’s voice has an ethereal, whispered quality to it that all of her fans love. Add that she’s brilliant at executing the ever challenging Self-Harmony and it’s hard not to enJOY as she asks of all her listeners. But don’t let her breathy signature sound fool you. Her range and power vocals are equally present as displayed in her penchant for covering Hayley Williams’ tracks. Those are some of my favorites, actually.

So you know I’m dying for more of her original content to see how she weaves in her own unique style. She’s proven that she has roots in such greats as Nina Simone (my imaginary auntie), Anita Baker, and Michael Jackson too, so what’s next?

Like any growing artist there is always room for improvement: Her self-harmonies are so amazing, I’m almost underwhelmed by her attempts at duets with other actual people – is that really a flaw though? And her enunciation in her original songs isn’t quite clear enough to follow the lyrics, but even that comes across as a typical production issue for someone trying to fund her own breakout.

cS Favorites:

There’s her original song “Finally”

Her cover of ZEDD & Hayley Williams “Stay the Night”

Beyoncés “XO” – Her best duet, I think.

Katy Perry Mashup – Flawless transitions!

A Thousand Years – There’s that heavenly vocal quality again!

The Only Exception – More Hayley …

Plain Gold Ring – I told you there was Nina! Daayyyuum, she did Auntie proud didn’t she?

and these live performance gems that really can’t be described …

https://www.youtube.com/watch?v=5SN-0n0-OuE

In a world where support for Indie artists is hard to come by, I’m jumping on the Team Joy bandwagon with both hands in the hair. I’ve only got one question: Is it midnight yet???? ~ cS, Constance SHERESE

 

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